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School of Society and Culture

BA (Hons) Creative Writing

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UCAS tariff 104 - 112
UCAS course code W801
Institution code P60
Duration

3 years

(+ optional placement)
Assessment breakdown 100% coursework
Course type

Full-time

Study location Plymouth

Writing is an age-old craft – and an essential skill in the 21st century. At Plymouth you will work with poets, novelists, journalists and digital writers to hone your ability as a writer, reader and editor, with a view to making your way in the many fields that now rely on these skills. Our accessible team of published authors has years of professional experience and are adept at nurturing talent, unlocking creativity and enabling future success.

Find out how our flexible course structures provide you with an opportunity to personalise your studies, feed your curiosity, and help you achieve your career aspirations.

Careers with this subject

  • Develop a range of valuable skills, including critical and creative thinking and excellent communication, presentation and project management skills.
  • Benefit from a tailored programme of careers events and opportunities.
  • Boost your career prospects by working with a publishing house, literary agent, arts organisation or magazine on our work-based learning module or extra-curricular internships.

Key features

  • Work with and learn from published and award-winning writers and journalists.
  • Spend time in our nurturing, small-group workshops with staff, honing your craft.
  • Learn and grow as a writer through trying out multiple forms and genres.
  • Encounter digital writing and new ways of expressing yourself.
  • Gain work-ready skills used in industries such as journalism, writing content, publishing, editing, marketing and more.

Course details

  • Year 1

  • You will study core modules introducing you to fundamental elements of writing in a wide range of genres including prose, poetry, drama and professional writing. You will also learn key research skills and begin your journey as a professional.

    Core modules

    • Gods, Monsters, and Heroes: Myths and Legends in Literature (ENG4001)

      This immersive module provides an important grounding for new students studying English and Creative Writing. Based around some of the earliest written texts that underpin Western literature, the module engages with a number of issues to enable students to gain an understanding of the historical development of literature and the ways in which texts relate to each other over the centuries.

    • The Craft of Writing I: Prose Fiction and Non-Fiction (ENG4003)

      This module introduces students to the key concepts and issues in creative writing through the practise of workshops. We will read classic contemporary works of fiction and nonfiction including autobiography, travel writing, poetry sequences, essays and reportage. We will produce our own works, and critically evaluate and contextualise them.

    • Rewritings: Contemporary Literature and its Histories (ENG4007)

      This module will examine how and why modern and contemporary authors have rewritten or reworkedinfluential literary texts of the past. Students will engage with a range of different literary forms,including fiction, poetry, drama and, where appropriate, film. By investigating the impulses behind suchintertextual acts, students will explore the ways in which literature engages with the cultural politics ofits times, focusing particularly on issues of gender, ethnicity, sexuality, class and aesthetics. This module will include 2, 2 hour talks that introduce our School and programme level employability related opportunities and support, including details of the optional placement year.

    • The Craft of Writing II: Poetry and Drama (ENG4008)

      This module continues the trajectory of the study of ‘the craft of writing’, emphasising poetry and dramatic writing. We’ll explore how creative writing constitutes a ‘practice-as-research’ discipline, whilst studying relevant writing theory, contextual literature, and literary criticism. Lectures will introduce topics, and subsequent workshops will promote the development of student work through feedback. Students will submit creative work alongside ‘research statements’ twice during the term, in the form of portfolios.

    • Make it New: Digital Writing (ENG4009)

      This module introduces students to writing digitally for, most notably, the Web, and its various platforms (from blogs to websites to Twitter etc). Students are invited to explore and expand ideas around authorship and audience and the writing (or images) that connects them as ‘content’, in its myriad of possible forms and formats. It will also introduce speculative and theoretical ideas about the relation between the self, writing, and digital forms. The module is taught through lecture, seminars, and workshops where students are asked to submit and feedback to peers and tutors on a regular basis.

    • Adventures in Criticism: Introduction to Critical Theory (ENG4010)

      This module will introduce some key critical theories relevant to the study of English literature. It will familiarise students with a range of theoretical perspectives and enable them to develop an understanding of different ways of reading literature, and its wider contexts.

  • Year 2

  • You’ll develop your professional skills and have the opportunity to write creatively in many forms including theatre and script writing, autobiography and biography, travel writing, and literary adaptation. You will hone your skills as a writer in weekly workshops with tutors and peers. You’ll also have the option to take specialist modules in other subjects in the School, should you wish to broaden your horizons.

    Core modules

    • The Impact of Publishing (ENG5004)

      The module will provide an introduction to some of the key concepts in publishing history. It will look at the ways that knowledge has been captured, stored, retrieved, disseminated, policed and suppressed. It will consider how the development of different writing and printing technologies changed the understanding of the self and the self in relation to the world. It will discuss the creation, production, publication, distribution and reception of texts within their cultural, economic and technological contexts.

    • Professional Writing for Different Media (ENG5005)

      In the context of this module, Professional Writing refers to commercial content for a variety of media outlets including advertising and marketing, as well as other ‘businesses’ which students have imagined and created themselves. Students will experiment with creative formats such as posters, reviews, reports, ‘copy’, interviews, the op-ed (opinion-editorial). The module is taught through lecture, seminars, and workshops where students are asked to submit and feedback to peers and tutors on a regular basis.

    • Dramatic Writing for Stage, Screen and Beyond (ENG5011)

      This course explores a wide range of dramatic writing and dramatic writing theory, integrating critical reading with creative writing projects. Class time will be spent discussing published authors/texts/productions, writing/reading theories, compositional processes, practical exercises, and student work.

    • Burning Issues: Interdisciplinary Writing Project (ENG5012)

      This module asks students to engage with the 'burning issues' of our times, by thinking outside of their own discipline and engaging with research taking place in other departments, schools and faculties around the university, or even the country and the world. Students select a topic from outside their discipline and then, through research and communication with experts in the chosen field, devise a writing project to communicate and explore their chosen issue. The module is taught through lecture, seminars, and workshops where students are asked to submit and feedback to peers and tutors on a regular basis.

    Optional modules

    • Writing Creative Nonfiction: Autobiography, Travel Writing, Reportage (ENG5010MX)

      This module introduces students to the key concepts and issues in contemporary works of creative nonfiction, or 'life writing'. Included in our readings will be works of memoir and autobiography, travel writing, personal essays and reportage. The module is entirely taught in workshops where we experiment with producing our own works of creative nonfiction and learning to refine them, as well as critically evaluate and contextualise them.

    • Stage 2 Professional Development, Placement Preparation and Identifying Opportunities (SSC500)

      This module is for students in the School of Society and Culture who are interested in undertaking an optional placement in the third year of their programme. It supports students in their search, application, and preparation for the placement, including developing interview techniques and effective application materials (e.g. CVs , portfolios, and cover letters).

    • Politics Beyond Parliaments (PIR5013MX)

      This module analyses the role of civil society and the public sphere in democratic governance and in democratization from a variety of theoretical perspectives.

    • Harm in the 21st Century (CRM5003MX)

      This module explores the global challenges of harmful behaviours and activities in contemporary society by considering specific areas of concern for criminologists. By drawing on real-world examples in everyday life, the module examines how social problems and issues have arisen due to processes of globalisation that have changed the social, political and economic landscape of the 21st century.

    • Crime, Harm and Culture (CRM5009MX)

      The module aims to provide students with a critical appreciation of harm and crime by exploring relevant issues from film, television, music, fiction literature and art. By applying a criminological lens to different forms of popular culture, students will be able to examine a variety of media forms in terms of its content and its contemporary political, social and economic context using different theories and concepts.

    • Gothic Fictions: Villains, Virgins and Vampires (ENG5002MX)

      This module looks at eighteenth- and nineteenth-century novels to trace the variety and scope of literary contributions to the Gothic. It begins by discussing the origins of the Gothic novel, then moves to the heyday of the genre in the revolutionary 1790s, on to authors writing in the early and mid-nineteenth century, through to the decadence of the 1890s.

    • ‘Hurt Minds’: Madness and Mental Illness in Literature (ENG5013MX)

      This module considers changing attitudes towards, and a variety of theories of, the mind, examining how different cultures have understood ‘healthy’ and ‘unhealthy’ mental states. It will look at how the experience and treatment of mental illness has been represented in fiction. The mind is at its most fascinating when it behaves outside of expected social norms. By considering a variety of literary texts over several centuries, this module explores shifts in the definition, understanding, evaluation, and management of exceptional mental states.

    • Writing Genre Fiction (ENG5017MX)

      This module takes students into in-depth engagement with prose fiction writing in various genres, with possibilities including fantasy, science-fiction, period/historical, young adult fiction, horror, comedy, romance, crime, and thriller. The module is taught through lecture, seminars, and workshops where students are asked to submit and feedback to peers and tutors on a regular basis.

    • Law in Context: Commerce and Intellectual Property (LAW5019MX)

      This module focuses on the work of commercial lawyers in practice in helping businesses to trade. It analyses a range of contractual agreements dealing with the manufacture, sale, supply and distribution of goods, assets and services in general and intellectual property in particular.

    • Play and Games for Performance (PER5008MX)

      This module will introduce students to practical methods for designing games and play structures for participatory performances that invite audiences to become actively involved in the work. In addition to learning new tools for designing and facilitating play, students will be prompted to consider playfulness from a theoretical perspective, recognising the connection between the play of mimesis and theatrical performance.

    • Voter Behaviour and Effective Election Campaigning (PIR5014MX)

      This module undertakes an advanced examination of contemporary trends and developments in theories of electoral behaviour globally; then more specifically the relationship between electoral rules, electoral systems and election outcomes; the evolution of campaign techniques, and the role, mechanics, and accuracy of opinion polls in modern electoral politics. These global understandings are applied directly to the case of British politics.

  • Optional placement year

  • Undertake an optional placement year where you can build a number of key employability skills. Put theory onto practice, get a taste for your chosen career and expand upon your professional network.

    Core modules

    • School of Society and Culture Placement Year (SSC600)

      Students have the opportunity to gain work experience that will set them apart in the job market when they graduate by undertaking an optional flexible placement year. The placement must be a minimum of 24-weeks (which can be split between a maximum of two different placement providers) and up to a maximum of 48-weeks over the course of the academic year. The placement is flexible and can be undertaken virtually, part or full time and either paid or voluntary. This year allows them to apply and hone the knowledge and skills acquired from the previous years of their programme in the real world.

  • Final year

  • In your final year, you’ll hone your reading and writing and start to find your specialist niche. You’ll study modern experimental writing and choose from literary and creative modules focusing on specific forms, from science fiction to modern poetry and screenwriting. You’ll have a further opportunity to choose a module from another subject in the school if you wish to branch out. You’ll also design and develop your own year-long dissertation project, which you'll work on with focused support from your personal supervisor.

    Core modules

    • Dissertation (ENG6001)

      The student will complete, under tutorial supervision, a significant project in critical or creative writing. Maximum length 9000-10,00 words or equivalent in creative form.

    • Script to Screen: Making Films, Podcasts, and More (ENG6009)

      This final year module asks students to realise an original script of their own making with an on-screen production. In addition to writing their own scripts, students will be introduced to the production side of things, including storyboarding, working with actors, cameras, and using film-making software. We’ll also study some classic examples of page to screen adaptations (albeit most on bigger budgets than you’ll have!). The module is taught through lecture, seminars, and workshops where students are asked to submit and feedback to peers and tutors on a regular basis.

    • Advanced Poetry Workshop (ENG6007)

      In this final year module we will examine a range of contemporary poetry and poetic theory as a way for students to advance their own composition of poems. Class time will be divided between seminar discussions of published poetry/theory, writing exercises, and workshops of student poetry.

    • Advanced Short Story Workshop (ENG6003)

      In this module we will examine a range of contemporary short story writing and relevant theory as a way for students to learn how to compose their own short fiction. Class time will be divided between discussion of short fiction and theory, writing exercises and peer workshops of student work. The workshops will be substantially informed by staff research practice.

    Optional modules

    • American Crime Writing (ENG6005MX)

      This module considers the development of twentieth-century American crime fiction from hard-boiled detectives, to myths of the mafia, and postmodern reinventions of the genre. This module will explore the cultural contexts of American crime writing, prevailing conventions of the genre, as well as challenges to those conventions.

    • Features Journalism Workshop (ENG6008MX)

      This module offers students an in-depth experience of professional writing. We will explore technique in features and literary journalism; music reviews, opinion columns and longer immersion features as well as other contemporary works of non-fiction feature writing, both short- and long-form, from sub-genres including profiles and interviews, autobiography and columns, travel writing, and reportage. We will learn to research and produce our own works of professional nonfiction and critically evaluate them.

Every undergraduate taught course has a detailed programme specification document describing the course aims, the course structure, the teaching and learning methods, the learning outcomes and the rules of assessment.

The following programme specification represents the latest course structure and may be subject to change:

BA (Hons) Creative Writing programme specification_7209

The modules shown for this course are those currently being studied by our students, or are proposed new modules. Please note that programme structures and individual modules are subject to amendment from time to time as part of the University’s curriculum enrichment programme and in line with changes in the University’s policies and requirements.

Personalise your degree

All our degrees have a wide range of optional modules and there is even the opportunity to study modules from any of the School of Society and Culture 'ssubject areas.
You could graduate with one of the following personalised course title combinations:
Creative Writing with Anthropology

Modules

  • Decolonising the Social Sciences (ANT5006MX)

    This module responds to contemporary calls to decolonise the social sciences. It reads the history of social science through the lens of post-colonial and indigenous studies. How have non-western voices been marginalised and silenced by academia? What does academia look from the perspective of the subaltern? Can the social sciences shed their colonial robes, or are they doomed to remain racialised and exclusionary disciplines? We explore these questions in regard to emerging disciplines aimed at constructing better and more inclusive futures, including 'indigenous criminology', 'participatory ethnography', and the 'anthropology of the otherwise'.

  • Brave New Worlds: Ethnography of/on Online and Digital Worlds (ANT5008MX)

    This module teaches students how to use ethnographic methods to make sense of the internet, which we now increasingly inhabit. Students learn how to navigate and analyse platforms such as Facebook or TikTok. They study how these technologies transform our relationships, identities, and ideas of truth. The module also examines the socio-cultural and ethical aspects of digital worlds (e.g. Second life).

  • Coastal Cultures: Marine Anthropology in the age of climate change and mass extinction. (ANT6008MX)

    Using ethnography, we analyse how coastal communities use the sea – not only as a source of livelihood, but as a key ingredient in the construction of their identity and place in world. Drawing on a range of cases from across the world – from Polynesian sorcerers, to Japanese whale mourners, to Cornish surfers – we study how coastal communities are responding to climate change, sea level rise, pollution, and extinction.

Creative Writing with Art History

Modules

  • Painting Sex and Power (ARH5008MX)

    The module examines the link between the perception of sexuality and power in a variety of media, and from diverse historical and geographic contexts. Critical approaches from gender studies will be combined with visual analysis in order to contextualize the biased and stereotypical nature of the imagery.

  • Imagery in Online and Offline Worlds: Film, Television and Video Games (ARH5002MX)

    This module provides students with a comprehensive understanding of current approaches towards mass media and visual culture. Particular emphasis will be put on medium-specificity, content analysis and audience studies.

  • Questions in Contemporary Art (ARH6002MX)

    The module introduces and examines selected questions raised in the last three decades in contemporary art. Case studies drawn from art history, critical and cultural theory, and where appropriate related disciplines, will be examined.

Creative Writing with History

Modules

  • Global Cold War: Politics, Culture and Society (HIS5004MX)

    This module is an introduction to major themes in the political, social and cultural history of the modern world with special focus on the 20th century and the Cold War.

  • Eighteenth-Century Empires (HIS5007MX)

    This module is designed to explore the ‘long eighteenth century’ with a broad geographical focus, encompassing, but not limited to the Atlantic Isles, Atlantic world, formal and informal empire, and trading connections. It takes in the slave trade and impact of slavery globally, studies voyages of exploration, examines the scientific and political enlightenment, and wider cultural and social impacts of imperialism.

  • Middle Kingdoms: Themes in Early Modern Asia (HIS5009MX)

    This module introduces the history of early modern Japan (c.16th-19th centuries). At one level, it explores key questions shaping the histories of the late Sengoku (‘Warring States’) and Tokugawa Japan. Building on these questions, it then situates the Japanese experience in a trans-regional perspective with reference to early modern China, Korea, Ryukyu, as well as Europe.

  • Dunkirk to D Day: The Second World War in Europe (HIS5014MX)

    The module examines the Second World War in Europe and the Atlantic Ocean from 1940 to late 1944.

  • Piracy and Privateering, c.1560-1816 (HIS6002MX)

    This module explores piracy and privateering activity in the seas around the British Isles and further afield from the reign of Queen Elizabeth to the end of the second Barbary War in 1816. This course focuses on the social history of piracy and privateering, the organisation of pirate society, and the economic impact of piracy and privateering.

  • America, the United Nations and International Relations 1945 to the present (HIS6006MX)

    This module provides a detailed examination of the relationship between the United States of America and the United Nations in the management of international relations from 1945 to the present.

Creative Writing with Criminology

Modules

  • Green Criminology (CRM6010MX)

    This module will address theoretical perspectives, methodological issues, and empirical research related to the field of green criminology, including applied concerns, such as policy and social/political praxis, through a range of concepts, topics, and themes that are central to green criminology.

  • Contemporary Issues in Criminology (CRM5007MX)

    This module focuses upon a contemporary criminological or criminal justice-related issue that has received attention in the media and in official reports but may not be well covered yet in an established academic literature. The purpose of the module is for students to collect data on the issue and to subject it to a criminological analysis appropriate to the topic.

  • Security and Policing Today: Debates and Issues (CRM5008MX)

    This module provides students with a contemporary overview of debates and issues in policing and security environments that inform practice and development in the field. The module examines how modern policing and security function, the impact of professionalization on all aspects of policing tasks and the tensions and benefits attained from multi-agency working. The module considers policing legitimacy, the ethics of crime control and associated engagement with the diversity of contemporary society, competing community interests and professional practice.

  • Security Management (CRM6011MX)

    This module provides students with a critical insight into the professional domain of security management. It provides an overview of the theories, policies, procedures and practices that underpin the work of the security manager, and focuses upon a career-relevant knowledge and understanding of this significant area of expertise.

Creative Writing with International Relations

Modules

  • Global Environmental Politics (PIR6007MX)

    This module examines the problem of environmental degradation and its implications for our global political economy. It discusses the major debates in political thought around the primary causes of environmental degradation. The module outlines the major attempts to build international regimes for global environmental governance, and the difficulties and obstacles that such attempts have encountered. A range of ideas, critiques, policy proposals, innovations in governance, and templates for political activism within the environmental movement are critically evaluated.

  • Refugee Studies (PIR5009MX)

    This module focuses on the political, economic and social context of forced migration and considers the complex and varied nature of global refugee populations. It analyses responses at international, national and regional level and engages with a range of challenging questions around international co-operation, the framework of international protection, humanitarianism and the causes of displacement.

  • Global Development (PIR5011MX)

    This module embraces both theoretical and empirical approaches to understanding development issues and policies, at international and multilateral scale. The approach incorporates historical, economic, political and social perspectives. The module considers issues faced by international development agencies, as well as the impact on populations in the developing world to illustrate and provide context for the discussion of various developmental concerns.

Creative Writing with Politics

Modules

  • Voter Behaviour and Effective Election Campaigning (PIR6008MX)

    This module undertakes an advanced examination of contemporary trends and developments in theories of electoral behaviour globally; then more specifically the relationship between electoral rules, electoral systems and election outcomes; the evolution of campaign techniques, and the role, mechanics, and accuracy of opinion polls in modern electoral politics. These global understandings are applied directly to the case of British politics.

Creative Writing with Sociology

Modules

  • Globalisation and Social Justice (SOC5005MX)

    This module investigates the key debates of globalisation and critically evaluates, in terms of its economic, political, socio-cultural and legal dimensions, the causes and consequences of a globalising world. It furthermore explores a range of international social justice issues to examine the relationships (causative and ameliorative) between policies and (in)justice

  • Gender, Sex and Sexuality (SOC5006MX)

    This module introduces students to the sociology of gender, sex and sexuality. It interrogates these concepts with particular reference to identity, activism, social justice and social change. It develops an understanding of the similarities, differences and intersections between gender, sex, sexuality and other social signifiers of difference/diversity including ‘race’, ethnicity, dis/ability, class and age.

  • Health, Medical Power and Social Justice (SOC6004MX)

    This module considers a range of issues concerning health, illness and medical power in contemporary society. The module seeks to develop an understanding of the impact of ‘medicalisation’ on everyday life, as well as the importance of social divisions, such as age, gender, ethnicity and socio-economic status. There will be a focus on a range of sociological perspectives on health with an opportunity to focus upon areas of particular interest.

Creative Writing with Law

Modules

  • Environmental Law (LAW5009MX)

    The module provides an examination of key themes in environmental law, with a focus on the generation, application and enforcement of this law within a critical and applied context.

  • Law, Literature and the Screen (LAW5012MX)

    To introduce students to fictional and factional representations of the legal order in prose, film and TV, and to examine the inter-connections between law, literature and the screen.

  • Public International Law (LAW6012MX)

    A module that focuses on the primary legal principles of the public international legal order, before exploring a range of substantive areas, such as, for example, the use of force, the law regulating the conduct of war, International Human Rights, International Criminal Law and International Environmental Law.

Creative Writing with Policing and Security Management

Modules

  • Security Management (CRM6011MX)

    This module provides students with a critical insight into the professional domain of security management. It provides an overview of the theories, policies, procedures and practices that underpin the work of the security manager, and focuses upon a career-relevant knowledge and understanding of this significant area of expertise.

  • Security and Policing Today: Debates and Issues (CRM5008MX)

    This module provides students with a contemporary overview of debates and issues in policing and security environments that inform practice and development in the field. The module examines how modern policing and security function, the impact of professionalization on all aspects of policing tasks and the tensions and benefits attained from multi-agency working. The module considers policing legitimacy, the ethics of crime control and associated engagement with the diversity of contemporary society, competing community interests and professional practice.

  • Forensic Criminology: Social Investigations (CRM5006MX)

    This module focuses on how social science can contribute to criminal investigations. This involvesforensically investigating the backgrounds and experiences of individuals involved in criminal or deviantbehaviour. The sociology of the police who are tasked to conduct investigations is also analysed. Students will be encouraged to apply criminological techniques and theory to scenario-based examples which will focus on victims, offenders and the police, and their positions in society.

Entry requirements

UCAS tariff

104 - 112

A levels
Typical offer will be 104 points from a minimum of 2 A levels including A level English Language, Literature or Creative Writing, or a related subject (e.g., History, Philosophy, Film Studies or Sociology) at Grade B, excluding General Studies.
International baccalaureate
26–28 points overall. Typical offer will be 26 points overall including three subjects at Higher Level and English at grade 5 at Higher Level. If overseas and not studying English within IB – you must have IELTS 6.5 overall with 5.5 in all elements.
18 Unit BTEC National Diploma/QCF Extended Diploma
DMM. Please contact admissions@plymouth.ac.uk.
BTEC National Diploma modules
If you hold a BTEC qualification, it is vital that you provide our Admissions team with details of the exact modules you have studied as part of the BTEC. Without this information, we may be unable to process your application quickly and you could experience significant delays in the progress of your application to study with us. Please explicitly state the full list of modules within your qualification at the time of application.
All access courses
Pass a named Access to HE Diploma (preferably English, Humanities, or combined) with at least 33 credits at Merit and/or Distinction to include a minimum of 12 credits in English or a relevant subject.
GCSE
Mathematics and English language grade C/4. If you do meet this criteria, please seek further advice with the Admissions team at admissions@plymouth.ac.uk.
T levels
Pass to Merit in any subject.
Equivalent qualifications may be considered.
We welcome applicants with international qualifications. To view other accepted qualifications, please refer to our tariff glossary.

Fees, costs and funding

Student 2023-2024 2024-2025
Home £9,250 £9,250
International £15,600 £17,100
Part time (Home) £770 £770
Full time fees shown are per annum. Part time fees shown are per 10 credits. Please note that fees are reviewed on an annual basis. Fees and the conditions that apply to them shown in the prospectus are correct at the time of going to print. Fees shown on the web are the most up to date but are still subject to change in exceptional circumstances. More information about fees and funding.

Undergraduate scholarships for international students

To reward outstanding achievement the University of Plymouth offers scholarship schemes to help towards funding your studies.

Additional costs

This course is delivered by the Faculty of Arts, Humanities and Businessand more details of any additional costs associated with the faculty's courses are listed on the following page: Faculty of Arts, Humanities and Business additional costs.

Tuition fees for optional placement years

The fee for all undergraduate students completing any part of their placement year in the UK in 2023/2024 is £1,850.
The fee for all undergraduate students completing their whole placement year outside the UK in 2023/2024 is £1,385.
Learn more about placement year tuition fees

How to apply

All applications for undergraduate courses are made through UCAS (Universities and Colleges Admissions Service).
UCAS will ask for the information contained in the box at the top of this course page including the UCAS course code and the institution code.
To apply for this course and for more information about submitting an application including application deadline dates, please visit the .
If you are interested in applying for an intercalated degree with the University of Plymouth, please contact our Admissions Team in the first instance applications@plymouth.ac.uk.
Support is also available to overseas students applying to the University from our International Office via our how to apply webpage or email admissions@plymouth.ac.uk.

Take advantage of professional creative writing opportunities

Learn real-world skills, find support from experts, and benefit from our partnerships

Options without limit
The broad variety of skills you will hone are highly valued in almost every field, giving you access to numerous career pathways

United States flags with Capitol building in Washington, DC on background.

Expand your horizons overseas
Experience other cultures and grow your network by studying or working abroad in either Europe or the United States


Gain invaluable experience with INK, our in-house magazine, building skills in everything from desktop publishing to editing and magazine journalism

Develop your writing style in an inspirational setting

Our students have a unique opportunity to develop their writing style surrounded by the famous landscapes that have long attracted and inspired writers, such as: Agatha Christie, Sir Arthur Conan Doyle, Michael Morpurgo (author of War Horse), and countless others.
Dartmoor #157602818

Learn from award-winning researchers and writers

Write your future

No matter the level of study you want to pursue, we will support you discover your voice, refine your craft and to share your writing with the world.
Our students have unique opportunities to develop creative writing skills through placements with the INK journal, the Theatre Royal Plymouth, the National Trust, and many other organisations.
Many of our graduates have published books of poetry, fiction, and performance. Some have also been shortlisted for the Forward Poetry Prize, won the Manchester Metropolitan Novella Prize, and have been commissioned by the Royal Court Theatre.
Writing in a notepad on the cliffs overlooking a beach

Featured modules

In the media

Dr Miriam Darlington describes the first time she ever saw an otter and shows Brett Westwood the paw prints on the banks of the River Dart.
Miriam Darlington

“The creative arts are a brilliant way for people to express feelings they might not be ready to talk about.

“Creative writing and painting are positive mediums to express my emotions. Poetry in particular helps process my experiences with masculinity and mental health.”
Discover how creative writing – in tandem with a rising reputation for painting – helps current BA (Hons) English and Creative Writing student Ieuan Holt express different pieces of himself.
Ieuan Holt at the Royal Academy of Arts

Preparing you for your future

Real-world workplace experience ensures our students are career ready upon graduation
We believe that real-world experience is central to success in today's job market. We focus on embedding experiential learning into our courses through our exciting partnerships with external organisations, offering students the opportunity to undertake internships, placements and volunteering.
Two young intercultural interns or placement students discussing notes in copybook in and office setting.Shutterstock 2224873497